The CL-8 from Sound Devices is a powerful mixing control unit designed for use with the 788T digital audio recorder. The CL-8 can be mounted to the 788T or used remotely to provide in-depth mixer control.

The unit features 8 rotary faders for controlling input levels. Tactile buttons provide control over each input’s high-pass filter, limiter, polarity, and muting. Shortcuts are provided for routing the inputs to the left/right Mix tracks and the Aux tracks. LED indicators display signal presence and peak, as well as left, right, aux, limiter, high-pass, and polarity status.

In addition to control features, the CL-8 also provides additional record tracks to the 788T, which can be monitored in headphones, as well as recorded and routed to the 788T outputs. The unit is bus-powered and connects to the 788T via a USB connection. A USB pass-thru port is provided for connecting a keyboard.

– Robust aluminum and steel construction for professional field use

– Can be mounted to the top or bottom of the 788T, or used remotely

– Bus-powered via USB connection

– USB pass-thru for keyboard connection

– Set of 8 large, rotary faders for input level control

– Tactile buttons for control over high-pass filter, limiter, polarity, and muting

– Quick and simple routing to the Mix and Aux tracks

– CL-8 firmware adds additional record tracks that can be monitored, recorded, and routed

– LED indicator lights

– Slate mic button

Product Highlights:

4 Built-In Microphones
Dual XLR Inputs with 48V Phantom Power
24-bit/96kHz WAV and MP3 Recording
Record to SD and SD-HC Cards
Line Level I/O
S/PDIF Input
Variable Speed Playback (-50% to +16%)
Built-in Speaker
Rugged Aluminum Casing
AC or Battery Power

The DR-100mkII from Tascam is portable stereo digital audio recorder designed with high-end recording features aimed at musicians and engineers. Four built-in microphones, two cardioid and two omnidirectional, deliver great sound via the high-gain and low noise microphone preamps. A pair of XLR inputs can accommodate external microphones and provide switchable phantom power for use with condenser microphones.

The 24-bit/96kHz linear PCM recorder features dedicated stereo mini balanced line in and out connectors in addition to an S/PDIF digital input. Also available is the ability to connect balanced line inputs via the locking XLR connectors. An upgrade to the DR-100, an already versatile unit, the rugged DR-100mkII extends the functionality of a professional portable recorder while improving the overall sound.

Portable four-microphone, two-channel handheld audio recorder

Improved uni-directional and omni-directional microphones over original DR-100

High gain and low noise microphone preamp

Up to 24-bit/96kHz WAV recording

32 to 320kbps MP3 recording

Dual XLR inputs with locking latches

+4dBu line input available via XLR jacks

1/8″ TRS line input and output

S/PDIF input from an external device via remote jack

Limiter and low-cut filter

Variable playback speed from -50% to +16%

Records to SD or SD-HC cards (includes 2GB card)

Large thumbwheel for individual gain control

Dedicated back-panel switches

Built-in speaker

Tripod mount

Rugged aluminum casing

The Sound Devices 552 Production Mixer combines professional-quality analog and digital technologies in a robust metal housing to provide a compact and lightweight mixing and recording solution for a variety of applications. The unit features 5 transformer-balanced XLR mic inputs, each with its own limiter and sweepable high-pass filter. Each of the inputs also has its own pre-or-post-fader direct output. It also features 3 sets of master outputs and several unbalanced outputs, allowing you to connect to a variety of recorders, cameras, and more. The master XLR outputs can be set for analog or digital operation, and are capable of sending 4 channels of 24-bit AES/EBU signals.

The 552 also features an internal stereo recorder, which can capture WAV or MP3 files at either 16-bit or 24-bit; with sample rates from 44.1kHz all the way up to 96kHz. The unit accepts SD and SDHC flash memory cards, which are widely-available and feature no moving parts for exceptional reliability. A simple joystick control on the 552′s front panel lets you take command of recording functions.

All of this technology is packed into a compact unit that weighs less than 5 pounds. The top and bottom chassis panels are constructed from molded, metalized carbon fiber for exceptional durability. The front panel is gasketed for excellent moisture resistance. The unit can operate on a set of 4 AA batteries, or an external 10-18VDC power supply.

Lightweight and Portable
The unit has a lightweight design that uses metalized, molded carbon fiber top and bottom panels for strength and durability. It also has a gasketed front panel for resistance to moisture
5 Input Channels
The mixer features 5 XLR inputs, each with 2-stage gain control, a limiter, a sweepable high-pass filter, and solo monitoring. Each input also has its own dedicated pre-or-post-fader TA3 direct output
Analog and Digital Outputs
The mixer has 3 sets of balanced master outputs, as well as several unbalanced connectors for versatile connectivity to complex and multi-camera setups. The XLR outputs can be set for analog or digital operation, and are capable of outputting 4 channels of 24-bit AES/EBU digital audio
Built-in Stereo Recorder
The internal recorder can write WAV or MP3 files to SD or SDHC cards at rates as high as 24-bit/96kHz. Recording controls are accessed by an easy-to-use joystick on the front panel
Flexible Metering
The bright LED meters offer accurate level metering, including a zoom mode for high-precision monitoring near 0dB
Time Code Capability
The mixer can accept time code input in order to time-stamp your files
Setup Menu and Voice Confirmation
When accessing and navigating the Setup Menu, voice confirmations are played back in your headphones to supply you with critical operational information
Powering Options
The mixer can be powered with a set of 4 AA batteries, or by an external 10-18VDC power supply

The Zoom H4n Handy Recorder picks up where the H4 left off and adds additional features to an already popular audio recorder.
Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.
The H4n features onboard true X/Y stereo microphones to pick up clear, natural sound without phase shifting. The mics can be rotated to select a 90° or 120° recording pattern for terrific versatility. The digitally-controlled preamp, combined with the high-quality microphones, allows you to capture Linear PCM audio at rates up to 24-bit/96kHz. The recorder captures audio to SD or SDHC cards with capacities up to 32GB. A USB 2.0 port allows you to quickly transfer files to a Mac or PC, or use the H4n as a live audio interface.
For connecting your own microphones or instruments, the H4n features XLR/TRS combo input jacks with phantom capability. A 3.5mm line output is provided, and a reference speaker is built-in for quickly reviewing your recordings. The unit operates on a pair of standard AA batteries, and features a Stamina mode to provide up to 11 hours of continuous recording at 16-bit/44.1kHz. Other useful features of the H4n include variable playback speed, automatic and pre-record functions, a low-cut filter and limiter for improving the sound quality of recordings, time stamping, a metronome and tuner, and more. The backlit LCD screen and intuitive controls are easy to use, even for the recording novice. A collection of accessories are included so you can start recording right out of the box.
Compact Form Factor
The small size of the H4n makes it ideal for use in mobile situations. The rubberized chassis provides a high level of durability and helps to minimize handling noise
4-Channel Recording
The H4n can record up to 4 channels of audio. It also has a 4-track MTR mode that provides simultaneous 4-track playback and 2-track recording for overdubbing and creating songs
True X/Y Stereo Mics
The onboard mics are arranged in true X/Y fashion to produce natural stereo recordings with no phasing issues
Selectable Recording Patterns
The built-in mics can be rotated to select a recording pattern of 90° or 120° for versatility
High-Quality Preamp
The digitally-controlled preamp captures clear, precise audio at rates up to 24-bit/96kHz
SD/SDHC Storage
The H4n records to readily-available SD or SDHC flash memory cards at capacities up to 32GB. This type of media features no moving parts, and is an incredibly stable platform, ensuring the safety of your data
Connectivity
The H4n features professional-quality XLR/TRS inputs with phantom power for connecting instruments or microphones. An additional 3.5mm mic input is also provided. Output is via a 3.5mm headphone/line out jack. A USB 2.0 port lets you transfer files to a computer, or use the unit as a live audio interface
Integrated Speaker
The built-in speaker lets you quickly monitor recordings without having to bother with headphones
Power Options
The unit can operate on a pair of standard AA batteries. The recorder’s Stamina mode allows it to record continuously for up to 11 hours at CD-quality settings. The recorder can also be powered with the included wall adapter or by USB power
Intuitive Interface
The backlit LCD screen and intuitive control buttons make it easy to record right away, even for beginners
Audio Editing
Built-in editing features let you make basic adjustments, while the included Cubase LE software lets you perform more advanced editing functions on a computer. A mid-side stereo decoder allows you to use an external mid-side mic setup, while a mono mix function lets you convert a stereo recording down to mono, ideal for interviews
Recording Features
The H4n features pre-record and auto record features so you never miss an important moment. A low-cut filter and limiter make sure you capture a clean recording every time
Playback Features
Playback speed can be adjusted from 50 to 100%, making it easy to learn a song or language, or analyze recordings. You can also choose single or all repeat modes, and A-B repeat
Time Stamping
The H4n recordings carry time stamp information, and can accept cues/markers to support the Broadcast Wave Format (BWF) used in professional applications
Musician Tools
The integrated tuner and metronome are perfect tools for singers and musicians

Remote Control
An optional remote control gives you full access to recording and playback controls, and is ideal for eliminating handling noise 1

Mounting Options
The recorder can be mounted on a standard mic stand by using the included mic clip adapter, or mounted to a standard camera tripod thanks to the threaded mount

Accessories Included
The H4n comes complete with a 1GB SD card, wind screen, mic clip adapter, AC adapter, USB cable, and protective case so you can start recording right away

10-track recording on built-in hard disk, DVD-RAM or flash media
8 hardware faders
8 analog mic/line inputs with 48V phantom power
8 digital inputs
8 digital direct outputs
Built-in 16-channel mixer
EQ, notch filter, compressor and delay on each channel
Mix to disk or outputs pre or post fader
Record to external Firewire drive w/ no additional computers
Full metadata entry using the Deva touchscreen
Intuitive integrated color touchscreen interface
Fault tolerant multi-disk recording with automatic file recovery ensures that you deliver every bit of recorded audio even up to the point of an unexpected power failure. As an extra precaution, power switches automatically from external to internal in the case of external power loss.
The Deva 5.8 has three internal recording mediums ensuring you can always have a copy of your recorded audio on set, allowing Production to instantly reference previous recordings. Disputes with Post regarding recording issues can be immediately cleared up and extra copies of recorded audio can be produced in the case of lost, damaged or stolen material.
The Deva 5.8 is small and light enough to be comfortable in over-the-shoulder applications. The display, controls and 8 hardware faders are mounted on the top of the unit, making over-the-shoulder and cart use convenient.
The color touchscreen makes the Deva the most intuitive and powerful recorder available. It is the most intuitive and flexible method to control a location recorder. Large high-resolution color meters provide a precise indication of recording levels not available on any other recorder.
With pre-record, you’ll never miss the start of a take; it allows for up to 10 seconds of audio to be recorded before the record button is pressed. Timecode is automatically recalculated to assure sub-frame accuracy.
Deva offers direct Avid™ and ProTools™ compatibility, saving a tremendous amount of time loading files in Post Production.
Scene, take, note and roll number metadata can be entered using the color touchscreen display, the Deva Mix-12 or an external PS2 keyboard. This data becomes part of the file and is automatically imported into the Avid Post Production system. All metadata is easily edited on the Deva to insure Post gets the correct info for each take.
Circle takes and false starts can be quickly noted with dedicated hardware keys.
An infinitely flexible internal 16-input and 20-bus digital mixer is a must for surround recording. Analog input limiters provide protection against harsh digital clipping.
Each channel on the Deva 5.8 is equipped with EQ, notch filter, compressor and delay.
The Deva incorporates the necessary phase coherent digital mixing and fader master capability to successfully record surround in the field. 3D sound reproduction is very dependent on time, phase and amplitude. A surround microphone and the Deva is all that is necessary to capture the audio world in 3D.
Flexible headphone monitoring including M/S matrix, numerous factory presets, personal presets and a Soundfield™ Decoder let you listen to what you need to hear.
Each of the 8 digital outputs can be individually switched between output bus configuration and direct digital out. The direct digital outputs allow input channels to be seamlessly routed to feed external backup recorders.

This powerful eight-input, eight-track digital audio recorder is designed for production sound with superb audio quality. Its eight full-featured inputs accept either microphone or line-level signals, provide 48V phantom power for condenser microphones, and offer peak limiters for microphone inputs and fully adjustable high-pass filters. Extensive routing flexibility allows each input to be routed to mixed tracks or to isolated tracks.
The unit has three options for recording media: internal 160 GB SATA hard drive, CompactFlash media with UDMA support, or an external FireWire hard drive or DVD-RAM (with bus powering). Any or all of these can be used simultaneously. Additionally, when connected to Mac OS or Windows computers with high-speed USB or FireWire 400/800, the 788T functions as a high-speed mass storage device.
To simplify interconnection with mixers and cameras with AES3 connectivity, the 788T has eight channels of balanced AES3 digital input and six channels of balanced AES3 output. It can be clocked from external word clock or from video sync, has a high-accuracy time code reader/generator on board, and includes auto-record features to chase external rec-run video sources. To simplify metadata entry, the 788T accepts USB keyboards, and keyboard shortcuts can be programmed to control menu items and machine transport, simplifying any production sound setup.
Product Weight: 3.75 lbs
Dimensions: 10.0”W x 6.25”D x 1.65”H excluding connectors

This super-compact, four-input, four-track file-based digital audio recorder records and plays high-quality audio to and from its 80gb internal hard drive or a CompactFlash or external FireWire drive, making field recording reliable and fast.
The unit interconnects with Windows and Mac OS computers for convenient data transfer and backup, reading and writing uncompressed PCM audio at 16 or 24 bits at sampling rates from 32 kHz to 192 kHz. It also supports lossless compression using FLAC and MP2/MP3 compress formats at 64 kb/s to 320 kb/s.
The unit’s full-feature time code function makes it perfect for dual-system sound applications from over-the-shoulder to cartbased production.
The 744T’s audio path includes microphone preamplifiers designed to deliver frequency response linearity and low distortion and noise in high-bandwidth, high-bit rate digital recording.
Though a very capable recorder by itself, it truly excels when used with an audio mixer such as Sound Devices’ 302 or 442 field mixer.
Product Weight: 2.6 lbs without battery
Dimensions: 1.8”H x 8.2”W x 4.9”D

The PMD670 Solid State Recorder features non-stop record with 7 hours of battery life, a menu-driven remote operation, and an EDL marking system for creating new files on-the-fly during the recording for easy file selection during playback. Users are assured a high-quality recording result due to the built-in lock down panels that secure the recording setting switches and media door from accidental changes in-the-field.
Extensive capability
Designed with compatibility for MP3, MP2, BWF, WAV formats the PMD670 boasts an impressive 40 assignable quality settings as well as a FAT32 File Allocation Table for future multi-gig file capability.
Simple Operation
With the flip of a switch record audio files to affordable and widely available Microdrives or compact flash cards.
Transfer audio files to PC
A table-top portable model, the PMD670 features a computer I/O connection that allows it to be easily linked for easy file transfer. Drag and drop recorded audio files to your computers hard drive in minutes without the real-time delay disadvantages of cassette, MiniDisc, and DAT recording!

With two CD drives and so many play and record options, you would expect the PSD300 to have a lot of controls — and it does. Each drive has dedicated transport controls: Play/Pause, Stop, and search (Fast Forward and Reverse). The CD-R drive also includes buttons for Record, Erase, and Finalize. You use the Select dial to scroll through ID numbers, or you can use the ID increment buttons on the wireless remote control. The top-panel display shows the ID number, the timing for each track, the amount of key and tempo change, and the playback level of both channels.
The separate front-panel Mic and Line inputs are among the PSD300′s strongest assets for the recording musician because of the flexibility they offer. The front panel offers a pair of XLR inputs and a pair of mic/line ¼-inch inputs. Each channel has a dedicated input-level control and a switch for selecting Line or Mic as the input. The front panel also includes a Line Out level control; a Phone/Speaker Level control; a ¼-inch headphone jack; a Phone Selector switch; an Input switch (analog or digital); an ALC (Automatic Level Control) switch to engage the built-in limiter; a Mic/Line Split/Stereo/Mix switch; and internal speaker on-off switch. The CD-R drive and remote-control sensor also reside on the front panel.
The rear panel has three pairs of RCA outputs (operating at -10 dBV); S/PDIF digital I/O; connectors for an RC-5 remote control and a related switch; a footpedal input; and the main power switch.

The PD-4 Portable Timecode DAT features a precision built four-head transport for confidence monitoring, a three-channel input mixer, jam sync and four timecode modes. Each input features a three position attenuator, LCR pan and selectable filtering as well as P48V. An ergonomic design ensures intuitive usage in the most awkward situations, and a rugged moisture proof design ensures reliability in extremes.

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording – a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.
Excellent Audio Compatibility
In adopting the BWF Broadcast WAV file format, the FR-2 offers what is now the most popular choice for professional recording. It can be set to record mono or stereo files with 16 or 24-bit quantisation over a vast range of frequencies from 22.05kHz for extended recording time up to 192kHz for the highest quality audio acquisition. Transferring files for editing and/or backup is fast and simple via a Compact Flash reader attached to a computer; a PCMCIA slot and/or a CF adaptor – ideal for those editing with a laptop; or indeed the on-board USB port.
Professional Features
The FR-2 incorporates a number of features developed through Fostex’s work in location DVD-RAM recording with the PD-6 and DV40.
Automated file/take naming speeds up time spent naming files between takes on location and complies with both US and Euro clapper board standards. In addition, the inclusion of a ‘pre-record’ buffer (user adjustable) means there should never be another missed take or lost soundbite!
Timecode
The FR-2 can be retrofitted with an optional, fully featured timecode card offering both reader and generator thus turning it into the ideal production and location recorder, whether it be used as a master or backup machine.
All Bases Covered
Excellent audio integrity, fully flexible recording, top quality mic amps, extensive interfacing plus optional timecode prove the Fostex FR-2 has all bases covered.

The Cantar-X offers the largest display surface of all portable recorders, which simultaneously shows every critical recording parameter.
The custom designed high contrast displays remain viewable under bright light (sun, sand, sea, snow, storm), and at very low temperatures too.
The swiveling front panel always provides the best viewing angle for both on cart and over the shoulder work.
The large twelve position MainSelector eliminates diving into numerous sub-menus.
The unique three-crown turret gives instant access to all recording and monitoring configurations, even while wearing heavy winter gloves.
Nine rotary faders (analog inputs) plus six linear faders (mixdown), each entirely devoted to one specific task, are faster to handle than multi-function knobs.
An important consideration for those who work in deserts and on the high seas, all of the mechanical actuators (faders, sliders, selectors) are sandproof and waterproof.
To complement the waterproof design, all audio socketsare pointed toward Earth, the same direction that rain falls. This concept has the subsidiary advantage that no plugs are protruding from the sides; this allows third party designers to build very narrow ‘Made for Cantar’ carts!
Unsurpassed mic preamps
The fame of the Cantar Sound is based on Aatons expertise with audio signal processing. First, the five mic inputs are equipped with the highest quality impedance transformers.
Second, Aaton developed huge dynamic range three stage proprietary preamplifiers to eliminate cumbersome trims.
Third, the powerful and smooth analog limiters achieve an impossible task: they are almost transparent to background sounds.
Built-in ‘B-Format’ stereo monitoring
Cantar is the only on-location digital recorder allowing stereo monitoring of the complete Soundfield B-Format (which includes 5.1) with no extra accessories. Thanks to its on-board mixer sliders, it is easy to dynamically adjust the ‘space’ parameters: pattern, width and rotation. And since the gain of the Mic/Line preamplifiers can be aligned to a half dB, and then ganged to a master fader, Cantar insures total control over later B-format treatments.
Long recording hours
Gunnar Arnason on “Cold Trail” says ‘Cantar was made for Iceland’.
The power consumption of a portable recorder is a potentially stressful issue on location. Cantar goes well beyond the two hour autonomy of other machines; with Li-Ion batteries, it can perform for up to sixteen hours.
Audio post compatibility
The Cantar ‘WorkDay’ file structure eliminates the dreaded disk-partition confusion and makes Post Production file handling much easier. The mixdown generated by the built-in mixer is treated separately from the primary channels and can be backed-up on tracks 1&2. Full details are in ‘The Post Chain’ at: http://www.aaton.com/documentation/.
Special Features
Cantar is able to simultaneously record the same audio files on both the internal and external hard drives.
Save your “Cantar Configurations” in a laptop. Next time you rent a Cantar, you can load them in the new machine, allowing you to pick up where you previously left off.
No wait in powering-up Cantar up: a cold-start from ZERO power to ‘REC’ can be executed in less than five seconds.
The track-names (actors’ name) can be entered from either a PS2 keyboard or directly with the Cantar jog.
While entering a ‘Differential Delay’ (up to 85 milliseconds) between two audio sources, you can fine tune it by listening to the tracks in left/righ ears ‘double-solo’.